The greatest thing about Auralex, in my opinion, obviously sound control is the goal, but the way it looks and even the way it smells, it feels creative.
If you go to my Instagram, you can watch kind of a step-by-step video of it. Putting in the window, I hired somebody to come and do that because it's kind of an extensive process.
We didn't have to run cables every time we cut vocals. I did all the treatment myself, but we ended up running XLR through all the walls and putting an XLR plate behind my desk here and another XLR plate in the booth. Finally, I contacted Robb and was like, ‘Hey, this is my idea, what do you think? He came out to the house looked at and said this will work great. I was always like, ‘Man, this would be the greatest vocal booth room.’ If I just put in a window between this wall and that wall, and completely treated the closet, it would be a great space for a perfectly dead vocal that you can do everything you want to in post, right? Just on the other side of it, there's a walk-in closet that I was using to store boxes, gearboxes or whatever, but it was decently wide and long.
There is a wall, I wish I could turn my camera to show you, but there's the wall that the door is on. MM: Yeah, Robb came out and did the analysis. It started out with just the room you're in, but you added a vocal booth recently? I've been here for seven years and just recently started a new project, where I turned a closet into a new vocal booth. And I didn't want to be on tour all the time and be away from my wife and then go and spend two months in Vegas or LA or whatever, doing a record there, and literally never have any time home.Īnd so the idea for this room was, let me build out something that I can use just for vocals, a space where I can feel creative, a space where I can write, but also where I can get like really high-quality vocals. Back in the earlier days, we had a couple of different years where we had done 300 dates. Kevin Booth: Can you tell us a little bit about yourself? You've probably told many interviewers how you got started in music, but how did you get started in the recording and the production side of music? To hear the interview, subscribe to Auralex Creative Spaces on your podcast platform of choice. Robb Wenner, Auralex artist relations, produces the podcast and also jumps in with questions. The interview was conducted by Kevin Booth, Auralex national sales manager. Note: Interview has been edited for brevity and clarity.
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